* The 7-chord functions a little differently from the other six. Īdding a note a 3rd above each triad produces the following “seventh” chords: Break them up and play them over the track. The triads built on the 7 different notes of the scale are landmarks in the Key of Db. Hear and feel more clearly the difference between major 3rds and minor 3rds by playing chromatically between each 3rd. Some are MINOR (m) 3rds - 3 half-steps apart. These thirds look the same, but they don’t sound the same! Some are MAJOR (M) 3rds - 4 half-steps apart. Make sure you hold each half-note for two whole beats. In exercise Db5, play the broken thirds of the G scale. The distance from bottom note to top note of each triad is a 5th. You can see that the diatonic triads we played in the “intervals” section each consist of two 3rds, one on top of the other. On the staff, 3rds and 5ths always look like the examples shown here. Getting familiar with chords in the Key of Db
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